The libretto, subtitled Musiktheater in 5 Teilen Music Drama in 5 parts , was written by the composer. The opera was composed between and and premiered on 30 March at the Nationaltheater Mannheim. In the play's first staged production, directed by Robert Wilson , the first words—"Ich war Hamlet. The role of Ophelia , written for a Wagnerian soprano , was sung by Gabriele Schnaut. A live recording of the opera's premiere was released on CD in Wergo  .
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The libretto, subtitled Musiktheater in 5 Teilen Music Drama in 5 parts , was written by the composer. The opera was composed between and and premiered on 30 March at the Nationaltheater Mannheim.
In the play's first staged production, directed by Robert Wilson , the first words—"Ich war Hamlet. The role of Ophelia , written for a Wagnerian soprano , was sung by Gabriele Schnaut. A live recording of the opera's premiere was released on CD in Wergo  . The opera is scored for actors, singing and speaking voices, choir and orchestra.
Sounds are mixed from live performance, electronic amplification and purely electronic sounds,  described as soundscapes. From Wikipedia, the free encyclopedia. Retrieved 21 July Retrieved 23 July Wolfgang Rihm, v. Rihm: Die Hamletmaschine. Oxford University Press. William Shakespeare 's Hamlet. Dumbshow Induction Quiddity Substitution. Sources Criticism. Moscow Art Theatre — Richard Burton Hamletmachine Dogg's Hamlet Fortinbras Rockabye Hamlet Hamlet, Revenge!
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Die Hamletmaschine; The Hamlet Machine is notorious for its complexity: most of the play lacks any character attribution, and when there is any, it may be instantly questioned or undermined. The text of Die Hamletmaschine; The Hamlet Machine is very short, and it contains seemingly unstageable stage directions, along with huge amounts of citations from Shakespeare, E. The images described in the scene directions, and in the action of the spoken text are immensely dense, and therefore can be read and analysed in a seemingly endless variety of ways. Due to this, it is no surprise that two productions of Die Hamletmaschine; The Hamlet Machine may bear no resemblance to one another whatsoever. The play appears to have a cyclical structure, beginning and ending with a voice emerging from a scene of massive destruction. It consists of five scenes of varying length.
Written in , the play is loosely based on Hamlet by William Shakespeare. Some critics claim the play problematizes the role of intellectuals during the East German Communism era; others argue that the play should be understood in relation to wider post-modern concepts. Characteristic of the play is that it is not centred on a conventional plot, but partially connects through sequences of monologues, where the protagonist leaves his role and reflects on being an actor. The play is constituted of scenes. The whole text is roughly nine pages long. The script itself is extremely dense and open to interpretation; recurring themes include feminism and the ecology movement. The production of Hamletmachine was described as "a stage teeming with images" and "an electrifying message from East Germany" by Nicholas De Jongh in the Guardian.
Wolfgang Rihm: Die Hamletmaschine