HAROLD BLOOM ANGUSTIA INFLUENCIAS PDF

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Bloom Harold La Angustia de Las Influencias

It was the first in a series of books that advanced a new "revisionary" or antithetical [1] approach to literary criticism. Bloom's central thesis is that poets are hindered in their creative process by the ambiguous relationship they necessarily maintain with precursor poets. While admitting the influence of extraliterary experience on every poet, he argues that "the poet in a poet" is inspired to write by reading another poet's poetry and will tend to produce work that is in danger of being derivative of existing poetry, and, therefore, weak. Because poets historically emphasize an original poetic vision in order to guarantee their survival into posterity, the influence of precursor poets inspires a sense of anxiety in living poets. Thus Bloom attempts to work out the process by which the small minority of 'strong' poets manage to create original work in spite of the pressure of influence. Such an agon , Bloom argues, depends on six revisionary ratios, [2] which reflect Freudian and quasi-Freudian defense mechanisms, as well as the tropes of classical rhetoric. Before writing this book, Bloom spent a decade studying the Romantic poets of the early nineteenth century.

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La angustia de las influencias

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